With AT Pro, the interfaces for both modes have been given an attractive (and long overdue) new look, and are completely reconfigured, layout-wise. It’s operated in either of two modes: Auto and Graph, the first enabling real-time parameter-driven automatic repitching, the latter for detailed ‘offline’ manual editing of pitch and timing (See Graph out loud).
It can do this transparently, or with the ‘Cher/T-Pain’-style sudden jumps in pitch for which it became infamous, depending on how it’s set up. In the simplest terms, Auto-Tune Pro - like all Auto-Tunes before it - takes an incoming monophonic signal (vocals are the primary target) and automatically corrects any wayward pitching within it - ie, it puts your out-of-tune singer in tune.
However, we didn’t review Auto-Tune 8, so here we’ll take in the plugin as a whole, and point out the new additions as they come up. Considering that’s a three-year development period, the amount of new features added for the latest and greatest is actually rather meagre. The new version, Auto-Tune Pro, replaces Auto-Tune 8, which was released in 2015.
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